Quetzal Guerrero sits at the back of the Wellington Opera House in New Zealand. He’s just come off stage with Dancing Earth – a contemporary indigenous dance company directed by Rulan Tangen [right of photo] who holds the belief that “to dance is to live, to live is to dance.” Rulan’s work is known for honoring key aspects of Native American culture. Concepts like matriarchal leadership, dance as ritual for transformation and healing as well as the process of decolonizing the body.
In this interview with SERUM we talk to Guerrero about connecting with Rulan and how his passion for movement and dance began with Hip Hop and break dancing. He also explains that in 1980’s America, hip hop provided a sense of identity for indigenous youth who were going through a loss of their own cultural identity. At the time their elders were making fundamental moves at the United Nations to even be regarded as human beings with human rights at all. I talk to Guerrero about his journey as a classically trained violinist, being the son of a political muralist and activist and growing up first nations in Phoenix.
“My father comes from the Coconino and Yaqui tribes of the South-West. He raised us with a lot of consciousness about the real history of the United States and what went down when it came to colonisation so we had awareness about our identity and who we are – we were taught not to be ashamed of being who we are and to embrace our culture and our roots. So I was always fascinated about Native American art, music and history. I’ve always loved studying as a kid and learning about it and I think that’s what also intrigued me about working with this company – because it’s contemporary and nothing like this really existed – this is one of the first Native American dance companies..We’re telling the story about who we are as Native Americans but expressing it through dance.”